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Parallels between Frankenstein and AI

  • Dec 15, 2021
  • 2 min read

Updated: Feb 28, 2022

🕯 The Modern Prometheus / What Mary Shelley’s Fiction Can Tell Us About AI


âť“ Did you know about these parallels between Frankenstein's monster and Artificial Intelligence?


đź“” Written by Mary Shelley, the daughter of an English writer, philosopher, and advocate of women's rights, Mary Wollstonecraft in 1818.


🧛‍♂️ The Gothic science fiction novel #Frankenstein or The Modern Prometheus tells the story of Victor Frankenstein, a scientist who succeeds in creating intelligent life from inanimate matter.


đź“– According to the narrative, Frankenstein is repulsed by the frightening features of his work and flees. Shunned by his own creator, the nameless creature proceeds to leave behind a trail of death and destruction.


🤖 It’s been more than 200 years since the book was first published and the cautionary tale of Frankenstein’s monster has become a metaphor for #AI.


âť“ Much like the irresponsible scientist, are we creating intelligent systems to our own demise?


👨‍🎓 Shelley imagined the creature as an anthropomorphic AI with superhuman learning speed. Without a parental figure, the creature learns by observing a family interacting with each other through a hole in a cottage wall.


✨ In a nutshell, he is the very embodiment of #machineintelligence.


👩‍💻 Moral of the story? Frankenstein taught us that in careless hands, our creations (technologies) can become monstrous - but they are not inherently good or evil. As innovators, it’s how we build and use our inventions that will shape their very being.


📚 Other Frankenstein’s monsters from the 21st century are for instance: Artificial Autonomous Beings (#AABs) from “The Actuality” by Paul Braddon and the Whatitsname from “Frankenstein in Baghdad” by Ahmed Saadawi.


🎞 If you’re a fan of both Frankenstein and AI then you might like this research project by the Columbia University School of the Arts: Frankenstein AI – a monster made by many http://frankenstein.ai/



Contributing editor: Nathanya Queby Satriani




 
 
 

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